Jill From Tuesday Night

I'm getting more confidant, and minding clumsinesses like the hands in the bottom study less. The humanoid smudge is a fifteen-minute blind contour, using the same pen as the other drawing on the page.

Discovered with Patrica at Drawing Group that we both have spent time following the instructions of Kimon Niccolaides' The Natural Way to Draw, she more than I, and with a student of Niccolaides, and at the Art Students' League.

I rediscovered Marshall McLuhan a few weeks ago, and thinking about media as environments and massages has been really juicy. It's been a no-brainer (snicker) to sort of map McLuhan onto more recent brain research: f'rinstance, Germans got volunteers to learn to juggle, and found that they started making new brain tissue. We're tripping across similar info frequently these days. So that's how the massage works. Anything you do is a skill, including understanding a television commercial.

Now I need to map that onto ecology, limits to growth, sexual liberty, etc., etcetera being Teilhard's and Soleri's notion that we will take conscious, somatic control of evolution.