drawing from Monday night. The whole page wouldn't fit on my scanner. What I cropped were odds and ends from the studio floor, and my black-and-white rendering of a large abstract painting by Lisa Colwell.
Members of this co-op rotate modeling duties, with new members beginning in front of the group. Models are always clothed, which I value, since there are plenty of opportunities to draw nudes, but not that many to study clothing. I value narrative and anecdote, and the way we costume ourselves has meaning for me.
Shading and shadows are stamp-pad ink, applied with my fingers. I told another artist, Emma, that I did it so there'd never be any doubt about who had drawn this portrait.